As part of the project, I worked on creating a sculptural model that was later transferred to molding, foundry production, and finally installed on a public city site. It is always a strange feeling to see a work you have been touching with your hands for months appear at an urban scale and in a material where the point is no longer about corrections, but about finality.

While sculpting the figure, I perceived it as a working object: clay, adjustments, details, the search for a gesture. Now the figure stands outdoors, with its own direction of gaze, its own volume in space, and its own interaction with people passing by.

For me, this is an important experience of working with the urban environment.